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Here the sharp, personifying imagery (‘rancour’, ‘thirsty hull’, ‘frost-cap from its skull’) is effective in renewing Horace’s ode for the translator’s Audenish periods, and perhaps reacting versus Housman’s extra sentimental edition (see previously mentioned). It does not take care of the use of Horace’s verse in literary prose texts,1 or explore scholarly work on the poet in these intervals.2 From the Romantics to the Victorians Horace was preferred between equally general and scholarly audience in Victorian England.3 The centrality of Horace to the curriculum of the recently influential elite English ‘public’ (personal) schools4 was evidently a person root bring about of this acceptance, together with the reception and design of Horace as an honorary English gentleman who represented the values of the male Victorian English elite.5 Horace was not a new factor in English tradition he experienced been critical in the eighteenth century, and nevertheless the Romantics may well revolt towards the tyranny of getting taught Horace at school, they nevertheless admired him, a rigidity which arrives out properly in Byron’s popular traces (Childe Harold Canto iv (1818) 77), motivated by the sight of Soracte in Italy and consequent remember of Odes 1.9: ‘Then farewell Horace, whom I hated so, gartis Sexo / Not for thy faults, but mine.’6 The Romantic backlink of literature and landscape is also seen in Wordsworth’s drive to investigate ‘Sabine vales’ following 1 For a analyze of the use of Horace in Thackeray’s novels see Nitchie (1918). 2 For some dialogue of twentieth-century Horatian scholarship see Fowler (1993) and S. J. Harrison (1995c) I hope to do a lot more perform on the nineteenth-century materials