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Conington employed plainer language than the more flowery Martin, and also tried to reproduce more faithfully the primary form of the Latin metre, though both of those made use of the quatrain stanza to mirror Horatian stanzas, as we can see if we evaluate their variations of the opening of Odes 1.5: What slender youth, besprinkled with perfume, Courts you on roses in some grotto’s shade? Hopkins’ before poems of the 1860s incorporate translations of two incredibly unique popular Horatian odes - Odes 1.38, the light but reflective tackle to his wine-pourer turned by Thackeray, and Odes 3.1, the ponderous 1st Roman Ode. At the close of his vocation, MacNeice, like Auden, turned to deal with Horace in ‘Memoranda to Horace’ (1962), which, like Auden’s ‘The Horatians’, one-way links the contemporary and ancient poets: both have a real looking frame of mind to everyday living, and both of those know when to go after personal enjoyment and retirement. Horatian strand in Clough’s epistolary work. 13 The follow of Horatian pastiche, like that of Horatian translation, turned comprehensive in the nineteenth century, with some attention-grabbing adaptations to Victorian social and mental contexts.14 The most distinguished illustration of these vers de soci´et´e is Tennyson’s ‘To the Rev. F. D. Maurice’, which like Arnold’s ‘Horatian echo’ neatly inserts true current affairs into the literary body Thackeray’s edition of Odes 1.38, Horace’s deal with to his wine-pourer urging easy bash tactics, neatly replaces the dubious boy with an address to ‘Lucy’, possibly a maid, and this prevalent habit of imitating one Horatian odes suggests a shared cultural cash and Horace as ‘one of us’ (i.e. upper-course English male)

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Cf. papa, flat pararahi, flat. Cf. papa, flat rahi, significant, terrific pararahi, flat. Cf. papa, flat tika, straight papatahi, flat land papatairite, stage. PAPATAHI, flat land. Cf. 3. Land held in prevalent, in which the shares of entrepreneurs have not been individualised. Hawaiian-papalina, the side of the experience, the cheek: Ua papai lakou iau ma ka papalina me ka hoino They have struck me on the cheek reproachfully. Cf. papakaira, the outer floor of the facet of a canoe papa, a plank, board, flat surface area wai, h2o. Mangarevan-papariga, the cheek (b.) the facet of the overall body. PAPARINGA (pàpàringa), the cheek Memene noa ana nga paparinga o te tini manu ra-P. Rarotongan-paparinga, the cheek Kua taia e ratou te paparinga o te okava ra They shall strike the decide on the cheek. Sideways, obliquely. Cf. papariahovai, an unwell-natured ill-developing man or woman papariataratara, just one delighting in mischief faa-upaparia, to change a deaf ear to a request papauru, the cheek. Tahitian-paparia, the cheek: E horo a noa ‘tu oia i tona paparia i tei tairi mai He gives his cheek to him that strikes

Two occasional pieces, ‘Lines to Dr Walter Birk on his retiring from basic practice’ (1970) and ‘A toast’ (penned for William Empson’s retirement in 1971), use what is plainly a model of the Sapphic stanza, with its 3 equivalent lines adopted by a substantially shorter fourth, in poems dedicated to previous buddies in the Horatian mode, and to this similar interval belongs ‘The Horatians’ (1968). Here, in a poem which all over again remembers in length and quatrain stanza the variety of Horace’s Odes, Auden imagines a modern-day Horace and his ilk as countrymen, loving ‘a farm in the vicinity of Tivoli / or a Radnorshire village’, points out the Church as the modern-day Maecenas as patron/employer of poets: ‘how numerous have / uncovered in the Anglican Church / your Maecenas who enabled / a lifestyle with no cumber’, and concludes with stanzas admiring Horatian moderation and resignation and character: You assumed very well of your Odes, Flaccus, and considered they Would reside, but understood, and have taught your descendants to Say with you: ‘As makers go, Compared with Pindar or any Of the fantastic foudroyant masters who never at any time Amend, we are, for all our polish, of little Stature, and, as human life, Compared with genuine martyrs, Like Regulus, of no account