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Specifically the life of Nathan, an HIV-negative newcomer, and Sean, his HIV-constructive guidebook to all matters ACT UP, who, when they're not drenching pharmaceutical executives in blood-pink paint as a reminder of the countless numbers who'd previously died of AIDS by the mid-'90s, slide hopelessly in enjoy. Why it is wonderful:BPM recreates the Paris chapter of ACT UP, the HIV/AIDS activist team that took radical methods to reveal and protest the government's inaction, to embed by itself within the subject like a documentary crew. Why it’s terrific: Fans of the La La Land's Technicolor whimsy, the bizarrerie of Amélie, and/or the small-key hijinks of Wallace and Gromit cartoons ought to seek out out the most recent from "Abel and Gordon," an outdated-fulfills-new comedy starring the director few as a Canadian lady desperate to locate her lacking aunt, and the free of charge-wheeling tramp who injects himself into the look for to different degrees of helpfulness. Why it’s terrific: The scraggly sketch design of acclaimed graphic novelist Dash Shaw will come to lifestyle in a teenage dream comedy about a coastal city superior school that cascades off a cliff, drifts out to sea, and provokes a student-overall body class war. Why it’s good: This inventive indie comedy finds Dave (Thune), a struggling artist, trapped within a cavernous, cardboard labyrinth manufactured in the middle of his residing room